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Emotions, discomfort, and ethical responsivity : taking the risk to care, 2020

 Item — Call Number: MU Thesis Hla
Identifier: b7930285

Scope and Contents

From the Collection:

The collection consists of theses written by students enrolled in the Monmouth University graduate English program. The holdings are primarily bound print documents that were submitted in partial fulfillment of requirements for the Master of Arts or Master of Fine Arts degrees.

From the Collection:

Students become eligible to pursue the Master of Fine Arts (M.F.A.) degree if they have obtained a Master of Arts (M.A.) in English from Monmouth University and demonstrate a proficiency for creative writing through a thesis or equivalent work.

From the Collection:

After completing their 30-credit M.A. in English with a Creative Writing concentration, Monmouth’s M.F.A. students take an additional 18 credits of intensive creative writing study that includes the completion of a book-length Creative Thesis.

From the Collection:

During the fall 2022 semester (in instances where the requisite waivers were received from consenting student authors), the Monmouth University Library, together with the University's Graduate School and Wayne D. McMurray School of Humanities and Social Sciences, began providing open access to select full-text digital versions of current theses and dissertations through links to the ProQuest Dissertations & Theses Global website in the Library's Online Public Access Catalog. Links to these open access digital publications can also be found in the "External Documents" section under any conforming titles that are listed among the holdings itemized in the collection inventory for this finding aid.

Dates

  • Creation: 2020

Creator

Conditions Governing Access

The collection is open for research use. Access is by appointment only.

Access to the collection is confined to the Monmouth University Library and is subject to patron policies approved by the Monmouth University Library.

Collection holdings may not be borrowed through interlibrary loan.

Research appointments are scheduled by the Monmouth University Library Archives Collections Manager (723-923-4526). A minimum of three days advance notice is required to arrange a research appointment for access to the collection.

Patrons must complete a Researcher Registration Form and provide appropriate identification to gain access to the collection holdings. Copies of these documents will be kept on file at the Monmouth University Library.

Extent

1 Items (print book) : 52 pages ; 8.5 x 11.0 inches (28 cm).

Language of Materials

English

Introduction [excerpt]

Drawing on my experiences as a secondary educatator, my research into the affective turn in composition theory--and intending to participate in and contribute to recent conversations among scholars in the field about how to respond to the emergence of post-truth--I propose in my thesis a new paradigm for composition educators to embrace in addressing the challenges that the Rhetoric Society of America, Writing Program Administration, and scholars such as [Bruce] McComiskey, [Ellen C.] Carrillo, and [Lee] MacIntyre [sic] have issued. I begin by evaluating three solutions that scholars in the field, as well as educational leaders and organizations, have proposed to resolve the post-truth rhetoric problem. Then, I aim to help readers understand what the affective turn in composition instruction was and why it should be revisited and acknowledged as having offered what may turn out to be some of the best ideas and resources for responding to our current post-truth situation. Finally, I synthesize key threads from the affective turn, including Megan Boler's "Pedagogy of Discomfort," Francis Seeburger's concept of emotional literacy, Faith M. Kurtyaka's practice of "conversion narratives," and my experiences teaching writing in the secondary setting, to propose an innnovative three-part practical approach to respond to post-truth via an embodied and emotionally engaged secondary-level writing pedagogy. I conclude by offering strategies that teachers can implement in the secondary, high school level classroom, which could potentially be expanded and developed within first-year composition courses. Ultimately, I argue that via adopting this emotion and embodied-based pedagogical approach, students' "I don't know" response to value queries and assignments can evolve towards a different, more emotionally invested sort of response, where students would instead risk writing and expressing, for example, "This idea of mine is important for other to consider because...."

Repository Details

Part of the Monmouth University Library Archives Repository

Contact:
Monmouth University Library
400 Cedar Avenue
West Long Branch New Jersey 07764 United States
732-923-4526