Starke, Sue P.
Person
Found in 3 Collections and/or Records:
Bridging the gap : the role of Charlotte Lennox's The Female Quixote in the shift of female characters and writers from romance to novel, 2011
Item — Call number MU Thesis Lis
Identifier: b4482645
Scope and Contents
From the Collection:
The collection consists of theses written by students enrolled in the Monmouth University graduate English program. The holdings are primarily bound print documents that were submitted in partial fulfillment of requirements for the Master of Arts or Master of Fine Arts degrees.Students become eligible to pursue the Master of Fine Arts (M.F.A.) degree if they have obtained a Master of Arts...
Dates:
2011
Image of hope or horror? : the ending of Shakespeare's King Lear, 2008
Item — Call number MU Thesis Ste
Identifier: b2195475
Introduction [excerpt]
Many critical interpretations of Shakespeare's King Lear try to identify the play as Christian because of the belief that the protagonist and other characters are redeemed or saved by the conclusion of the play. The Christian readings of the play's ending rely heavily on the idea that the character Cordelia is a Christ-like figure who inevitably redeems her father from his suffering and brings salvation and forgiveness when he is in most need of her...
Dates:
2008
Their ruin! Hence I will excite their minds : mind reading and Machiavellian intelligence in Milton's Satan and Shakespeare's Cassius, 2017
Item — Call number MU Thesis Tur
Identifier: b7717405
Introduction [excerpts]
In the case of [John] Milton's [character] Satan and [William] Shakespeare's [character] Cassius, [Professor Blakey] Vermeule's ToM [Theory of Mind] scholarship exposes how similarly Satan and Cassius use their mind reading capabilities on their victims (Eve and Brutus). Cassius and Satan both use mind-reading "imitation" to degrade a ruling system and build the victim up to make their minds [sic] act towards rebellion. We see that Satan degrades...
Dates:
2017