Bluemel, Kristin, 1964-
Person
Dates
- Existence: 1964-
Found in 3 Collections and/or Records:
Converting the daily bread : finding feminine power through food studies and everyday theory in Joyce's "The Sisters" and "The Dead", 2019
Item — Call number MU Thesis Shi
Identifier: b7929337
Scope and Contents
From the Collection:
The collection consists of theses written by students enrolled in the Monmouth University graduate English program. The holdings are primarily bound print documents that were submitted in partial fulfillment of requirements for the Master of Arts or Master of Fine Arts degrees.
Students become eligible to pursue the Master of Fine Arts (M.F.A.) degree if they have obtained a Master of Arts (M.A.)...
Dates:
2019
Haunting space and place in Shirley Jackson's The Haunting of Hill House' and Helen Oyeyemi's White is for Witching, 2020
Item — Call number MU Thesis Nad
Identifier: b7930275
Scope and Contents
From the Collection:
The collection consists of theses written by students enrolled in the Monmouth University graduate English program. The holdings are primarily bound print documents that were submitted in partial fulfillment of requirements for the Master of Arts or Master of Fine Arts degrees.
Students become eligible to pursue the Master of Fine Arts (M.F.A.) degree if they have obtained a Master of Arts (M.A.)...
Dates:
2020
Oranges, lemons, and the decline of the traditional mother figure in George Orwell's Nineteen Eighty-Four, 2012
Item — Call number MU Thesis Car
Identifier: b5596203
Abstract
In my thesis, I examine the use of the British nursery rhyme, "Oranges and Lemons," in the novel Nineteen Eighty-Four in relation to the decline of the "traditional" mother figure in Oceania. George Orwell felt that if women continued to work after World War II, then the traditional family would be destroyed and children would not have the moral upbringing that only a mother could provide. In the fascist society of Oceania, good,...
Dates:
2012