Bluemel, Kristin, 1964-
Person
Dates
- Existence: 1964-
Found in 4 Collections and/or Records:
Female-centered, post-colonial bildungsromans , 2011
Item — Call number MU Thesis Wil
Identifier: b4175551
Introduction [excerpt]
In this paper, I will examine the reception histories of Ice-Candy-Man and Nervous Conditions, the major nationalist and feminist theories that have influenced the criticism of the novels, and the scholarship's emphasis on the political in the novels to show how, so far, the literary questions of genre and form have been ignored in favor of the political. Next, I will critically look at the historical background of the...
Dates:
2011
If she's drowned--and killed, you know--she's innocent : Maggie Tulliver's battle with The Angel in the House , 2013
Item — Call number MU Thesis Mil
Identifier: b7636988
Scope and Contents
From the Collection:
The collection consists of theses written by students enrolled in the Monmouth University graduate English program. The holdings are primarily bound print documents that were submitted in partial fulfillment of requirements for the Master of Arts or Master of Fine Arts degrees.Students become eligible to pursue the Master of Fine Arts (M.F.A.) degree if they have obtained a Master of Arts...
Dates:
2013
Undressing the female plot : women's corporeality in Vera Brittain's Testament of Youth , 2010
Item — Call number MU Thesis Pac
Identifier: b2825585
Scope and Contents
From the Collection:
The collection consists of theses written by students enrolled in the Monmouth University graduate English program. The holdings are primarily bound print documents that were submitted in partial fulfillment of requirements for the Master of Arts or Master of Fine Arts degrees.Students become eligible to pursue the Master of Fine Arts (M.F.A.) degree if they have obtained a Master of Arts...
Dates:
2010
Wendy Wasserstein's play The Heidi Chronicles : chronicling the changing landscape of feminism , 2010
Item — Call number MU Thesis Ran
Identifier: b4175560
Introduction [excerpt]
The notion that Wendy Wassertstein's Pulitzer-winning play The Heidi Chronicles represented the failure of the first wave of feminism from the nineteenth and early twentieth century, and the crumbling of the second-wave of feminism, is a contentious topic that deserves continual scholarly discourse. The time-line of the play, 1965-1989, and its episodic structure, affords an accurate replication of the numerous transitions women endured, and the political...
Dates:
2010